Hans Gal

Hans Gal
Hans Gal
Datum rođenja	(1890-08-05)5. avgust 1890.
Mesto rođenja	Brun am Gebirge, Austrougarska
Datum smrti	3. oktobar 1987.(1987-10-03) (97 god.)
Mesto smrti	Edinburg, Ujedinjeno Kraljevstvo
Veb-sajt	www.hansgal.org

Hans Gal (nem. Hans Gál; Brun am Gebirge, 5. avgust 1890 — 3. oktobar 1987) bio je austrijsko-britanski kompozitor, učitelj i autor.

Biografija

Rođen je 5. avgusta 1890. u Brun am Gebipge, u jevrejskoj porodici, kao sin lekara Josefa Gala. Godine 1909. njegov učitelj klavira Ričard Robert (koji je takođe predavao Rudolfu Serkinu) imenovao je Gala za učitelja kada je postao direktor novog bečkog konzervatorijuma. Od 1909. do 1913. godine, Gal je studirao istoriju muzike na Univerzitetu u Beču kod istoričara muzike Gvida Adlera, koji je objavio Galovu doktorsku disertaciju o stilu Ludviga van Betovena u svom Studien zur Musikwissenschaft. Od 1909. do 1911. godine, Gal je pohađao privatne časove kompozicije kod bliskog prijatelja Johanesa Bramsa, sa kojim je kasnije uredio deset tomova kompletnog izdanja Bramsovih dela u izdanju Breitkopf & Härtel 1926. godine. Profesor mu je postao „duhovni otac”.

Godine 1915. bio je prvi dobitnik nove austrijske državne nagrade za svoju prvu simfoniju, mada je kasnije odbacio ovo delo i njegove naslednike, kao i veliki broj do tada komponovanih dela. Tokom Prvog svetskog rata službovao je u Srbiji, Karpatima i Italiji. Iz rata se vratio sa završenom operom Der Arzt der Sobeide, koja je izvedena u Vroclavu 1919. godine pod dirigentskim vodstvom Julijusa Pruvera.

Posle Prvog svetskog rata politička situacija u Austriji bila je izuzetno teška, pogoršana odbeglom inflacijom. Gal je imenovan za (u početku neplaćeno) mesto lektora za teoriju muzike na Univerzitetu u Beču (mesto koje je nekada zauzimao Anton Brukner). Uprkos finansijskim poteškoćama, oženio se Hanom Šik. Njegova druga opera, Die heilige Ente, premijerno je izvedena u Diseldorfu aprila 1923. i izvedena je sa kontinuiranim uspehom u 20 pozorišta. Zajedno sa njegovom trećom operom Das Lied der Nacht uspostavila je njegovu širu reputaciju. Godine 1928. osvojio je stogodišnju nagradu Columbia Schubert za svoju Sinfonietta, a kasnije je vratio svoju prvu simfoniju. Sledeće godine, uz podršku muzičara kao što su Vilhelm Furtvangler, Fric Buš i Rihard Štraus, imenovan je za direktora konzervatorijuma u Majncu. Sledeće tri godine bile su među najsrećnijim i najproduktivnijim u njegovom životu.

Drugi svetski rat i kasniji život

Uspon nacionalsocijalističke nemačke radničke partije naglo je prekinula Galovu karijeru u Majncu zbog njegovog jevrejskog porekla. Kada su nacisti preuzeli Majnc u martu 1933. godine, odmah je otpušten sa svoje funkcije, a izvođenje i objavljivanje njegovih dela u Nemačkoj bilo je zabranjeno. Njegova četvrta opera, Die beiden Klaas, koja je trebala imati dvostruku premijeru u Drezdenu i Hamburgu, otkazana je i komad nije izveden sve dok prevod na engleskom jeziku nije predstavila opera Jork 1990. On i njegova porodica vratili su se u Beč, ali tamo je već bila očigledna senka nemačkog rajha i on nije našao stalni položaj.

Odmah posle Anšlusa 1938. godine, Gal je pobegao u London, sa namerom da emigrira u Sjedinjene Američke Države, ali ostao je u Britaniji, gde je upoznao muzičara i naučnika Donalda Fransisa Tovija, koji ga je pozvao da dođe u Edinburg, gde je Tove predavao na univerzitetu. Nije bilo stalnih polova za profesore, ali Tovi mu je našao posao krajem 1938. godine, a kada je izbio rat 1939. Gala su trajno prebacili u Edinburg. Godine 1940. interniran je kao neprijatelj u kampu blizu Liverpula i centralnog kampa u Daglasu, ostrvo Men, od maja do septembra.

Nakon puštanja vratio se u Edinburg, gde je ostao do kraja života. Komponovao je sve vreme, objavljujući svoju drugu simfoniju 1942. Postao je predavač muzičkog obrazovanja na Univerzitetu u Edinburgu 1945. godine, gde je predavao do penzionisanja 1960.

U Edinburgu je bio uvaženi član lokalne muzičke scene i jedan od osnivača Međunarodnog festivala u Edinburgu 1947. godine. Njegova kasnija odlikovanja uključuju Veliku austrijsku državnu nagradu za muziku (1957), imenovanje za oficira reda Britanskog carstva (1964) i austrijski krst časti za nauku i umetnost, 1. klasa (1971).

Preminuo je u Edinburgu 3. oktobra 1987.

Muzika

Galov stil je ukorenjen u austrijsko-nemačkoj muzičkoj tradiciji, ali od ranih 1920-ih razvio je svoj muzički jezik, kojem je ostao veran tokom svoje duge karijere. Nikada nije sledio preovlađujuću modu, niti je napustio veru u važnost tonaliteta. Iako se njegov stil ne može izvesti ni iz jednog uticaja, ipak se mogu identifikovati određeni afiniteti, posebno sa bečkim kompozitorima iz 18. veka čija su bistrina, plastičnost i razigrani humor osnovni sastojci. Njegova dela kombinuju romantični intenzitet sa emocionalnom uzdržanošću, a hromatske harmonije i prošireni tonalitet predserijskih ranih modernih sa Šubertovom ljubavlju prema melodiji, integrisanom u višeglasnu teksturu koja potiče iz njegovog celoživotnog angažmana sa delima Johana Sebastijana Baha. Njegov rad je bio značajan: preko 150 objavljenih dela u gotovo svim žanrovima, uključujući, pored njegove četiri opere, četiri simfonije, četiri gudačka kvarteta, dve velike kantate sa orkestrom, druga orkestralna dela, kamernu muziku, setove 24 preludija i 24 fuge za klavir i vokalna dela raznih vrsta.

Posleratno zanemarivanje

Galova muzika nastavila je redovno da se koncertira u godinama neposredno posle Drugog svetskog rata zahvaljujući zastupanju kolega poput Rudolfa Švarca i Ota Šmitgena. Kako su godine prolazile, a Galovi advokati prestali da rade, njegova muzika je gotovo potpuno zanemarena. Ovaj proces je ubrzan promenom programske politike BBC-a: od 1960-ih nadalje, nacionalni emiter je izričito favorizovao muziku iz avangardnih ili dodekafonijskih škola.

Preporod 21. veka

Početkom 21. veka zaživelo je interesovanje za Galovu muziku. Diskografija sada uključuje četiri simfonije (Kenet Vuds i Orkestar labuda), kompletnu klavirsku muziku (Leon Makaoli), kompletne gudačke triose, koncerte i koncertino za violinu, violončelo i klavir (solisti Anet-Barbara Vogel, Metju Šarp i Sara Bet Brigs sa dirigentom Kenetom Vudsom, engleskim simfonijskim orkestrom i kraljevskom severnom sinfonijom), koncert za violončelo (Antonio Meneses) i kompletni gudački kvarteti (edinburški kvartet), kao i niz kamernih dela. Nedavna izdanja uključuju prvu od Galovih opera, Das Lied der Nacht. Gal je bio kompozitor nedelje BBC Radija 3, maja 2014.

Knjige

• Anleitung zum Partiturlesen. Vienna: Philharmonischer Verlag, 1923. Englesko izdanje: Directions for Score Reading. London, 1924.
• The Golden Age of Vienna. London, 1948.
• Johannes Brahms. Werk und Persönlichkeit. Frankfurt na Majni: 2. izd. 1980. Englesko izdanje: Brahms: his Work and Personality. Njujork: Knopf, 1963, London: Severn House, 1975.
• Richard Wagner. Versuch einer Würdigung. Frankfurt na Majni: Fischer, 1963. Englesko izdanje: Richard Wagner. London: Gollancz, Njujork: Stein & Day, 1976.
• The Musician's World. Great Musicians in their Letters. London: Thames & Hudson, 1965.
• Franz Schubert oder die Melodie. Frankfurt am Main: Fischer, 1970. Englesko izdanje: Franz Schubert and the Essence of Melody. London: Gollancz, 1974.
• Drei Meister – drei Welten. Brahms, Wagner, Verdi. Frankfurt na Majni: Fischer, 1975.
• Brahms: Briefe. Hans Gál. Frankfurt na Majni: Fischer, 1979.
• Schumann Orchestral Music. London: BBC, 1979.
• Giuseppe Verdi und die Oper. Frankfurt na Majni: Fischer, 1982.
• Musik hinter Stacheldraht Bern: Peter Lang, 2003.

Radovi

Opere

• Op. 4 Der Arzt der Sobeide (Sobeide's Doctor) (1917–18)
• Op. 15 Die heilige Ente (The Sacred Duck) (1920–1)
• Op. 23 Das Lied der Nacht (The Song of the Night) (1924–5)
• Op. 42 Die beiden Klaas (Rich Claus, Poor Claus) (1932–3)

Orkestralna dela

• Op. 3b Serbische Weisen (1937)
• Op. 20 Ouvertüre zu einem Puppenspiel (1923)
• Op. 30 Symphony No. 1 in D major (1927)
• Op. 36 Ballet Suite Scaramuccio (1929)
• Op. 38 Der Zauberspiegel. (1930)
• Op. 42b Burleske, Die beiden Klaas(1933)
• Op. 45 A Pickwickian Overture (1939–44)
• Op. 46 Serenade for string orchestra (1937)
• Op. 48 Lilliburlero. Improvisations on a martial melody (1945)
• Op. 53 Symphony No. 2 in F major (1942–3)
• Op. 54 Kaledonische Suite. (1949)
• Op. 62 Symphony No. 3 in A major (1951–2)
• Op. 66 Biedermeiertänze (1954)
• Op. 69 Mäander (1954–5)
• Op. 73 Music for String Orchestra (1957)
• Op. 79 Idyllikon mali orkestar (1958–9)
• Op. 81 Sinfonietta No. 1 mandolinski orkestar, gitara i bas (1961)
• Op. 86 Sinfonietta No. 2 mandolinski orkestar (1966)
• Op. 100 Triptych orkestar (1970)
• Op. 105 Symphony No. 4, simfonija koncertante za flautu, klarinet, violinu, violončelo i orkestar (1974)
• Promenadenmusik vojni orkestar (1926)
• Capriccio mandolinski orkestar (1973)
• Hugo Wolf: Corregidor, svita za orkestar

Koncerti

• Op. 39 koncert za violinu i mali orkestar (1932)
• Op. 43 koncertino za klavir i gudački orkestar (1934)
• Op. 52 koncertino za violinu i gudački orkestar (1939)
• Op. 55 koncertino za orgulje i gudački orkestar (1948)
• Op. 57 koncert za klavir i orkestar (1948)
• Op. 67 koncert za violončelo i orkestar (1944–49)
• Op. 82 koncertino za diktafon visokih tonova/flauta i gudački kvartet
• Op. 87 koncertino za violončelo i gudački orkestar (1966)
• Op. 102a viola i klavir ili orkestar (1949–50)
• Op. 105 simfonija br. 4 Sinfonia concertante za flautu, klarinet, violinu, violončelo i orkestar (1974)

Radi za solo instrument sa ili bez tastature

• Op. 6 svita za violončelo i klavir (1919)
• Op. 17 sonata u S-molu za violinu i klavir (1920)
• Op. 56 svita za violinu i klavir (1942)
• Op. 56a mandolina i klavir (1935)
• Op. 71 tri sonatine za violinu i klavir (1956–7)
• Op. 84 sonata za klarinet i klavir (1964)
• Op. 85 sonata za oboj i klavir (1965)
• Op. 89 sonata za violončelo i klavir (1953)
• Op. 101 sonata u A-duru za violu i klavir (1941)
• Op. 102a saksofon i klavir ili orkestar (1949–50)
• Op. 103 visoki ton, flauta i čembalo, klavir (1974)
• Op. 109a sonata za solo violončelo (1982)
• Op. 109b solo violončelo (1982)
• Sonata za violinu i klavir (1933)
• Dve škotske rapsodije za violončelo i klavir (1960)

Kamerna muzika za gudače

• Op. 10 pet intermeca za gudački kvartet (1914)
• Op. 16 gudački kvartet I F-mol (1916)
• Op. 35 Gudački kvartet II u A-molu (1929)
• Op. 41 serenada za violinu, violu i violončelo (1932)
• Op. 60b improvizacija, varijacije i finale na Mocartovu temu za gudački kvartet (1934)
• Op. 90 (2) divertimento za violinu i violončelo (1967)
• Op. 90 (3) divertimento za violinu i violu (1969)
• Op. 95 gudački kvartet III (1969)
• Op. 99 gudački kvartet IV (1970)
• Op. 104 Trio u F-molu za violinu, violu i violončelo (1971)

Ostala kamerna muzika

• Op. 9 Variationen über eine Wiener Heurigenmelodie za violinu, violončelo i klavir (1914)
• Op. 13 Piano Quartet (B-flat major) (1914)
• Op. 18 Piano Trio (E major). For Violin, Cello and Piano (1923)
• Op. 22 Divertimento for Flute, Oboe, two Clarinets, Trumpet, two Horns and Bassoon (1924)
• Op. 49a Little Suite for 2 violins and cello (piano ad lib.) (1947–8)
• Op. 49b Trio for violin (flute, oboe), cello and piano (1949)
• Op. 59a Sonatina for 2 mandolins (1952)
• Op. 59b Suite for 3 mandolins (1952)
• Op. 60 Improvisation, Variations and Finale on a theme by Mozart for mandolin, violin, viola and liuto (1934)
• Op. 68a Suite for recorder and violin (1964–5)
• Op. 68b Six two-part inventions for descant and treble recorder (1957)
• Op. 68c Divertimento for 2 treble recorders and guitar (1957)
• Op. 78 Quartettino for recorder quartet (2 descant, treble (or tenor), tenor (or bass) (1960)
• Op. 80 Divertimento for mandolin with harp or piano (1957)
• Op. 80b Divertimento for flute, viola and harp. (1967)
• Op. 82 Concertino for treble recorder (flute) and string quartet (1961)
• Op. 88 Trio-Serenade for treble recorder/flute, violin and cello (1966)
• Op. 90(1) Divertimento for bassoon and cello (1958)
• Op. 92 Huyton Suite for flute and 2 violins (1940)
• Op. 93 Serenade for clarinet, violin and cello (1935)
• Op. 94 Trio for oboe, violin and viola (1941)
• Op. 96 Sonata for two violins and piano (1941)
• Op. 97 Trio for violin, clarinet and piano (1950)
• Op. 98 Divertimento for three recorders (1970)
• Op. 107 Quintet for clarinet and string quartet (1977)
• Quartet in A for violin, viola, violoncello and piano (left hand) for Paul Wittgenstein (1926)

Vokalni radovi - solo

• Op. 21 Zwei geistliche Gesänge (Two sacred songs) for soprano, organ and viola da gamba or cello (1923)
• Op. 33 Five songs for middle voice and piano (or harp nos. 4 & 5) (1917–21)
• Op. 44 Nachtmusik (Night Music) for soprano solo, male voices (TTBB), flute, cello and piano (Grimmelshausen) (1933)

Vokalni radovi - mešoviti

• Op. 19 Motette (Motet) for mixed choir (SSAATTBB) a cappella (1914)
• Op. 26 Requiem for Mignon for baritone, 2 choirs (SA, SATB), organ and orchestra (1922)
• Op. 27 Epigrams 5 madrigals for mixed choir (8 parts) a cappella (1926)
• Op. 37 Drei Gesänge (Three songs) for mixed choir a cappella (1929–30)
• Op. 50 De Profundis cantata to German barock poems, for four soloists (SATB), mixed choir and orchestra (1936–7)
• Op. 51 Four Madrigals to Elizabethan poems for mixed choir (SATB) a cappella (Nos.1, 2, 3 also for female choir a cappella Op. 51a) (1939)
• Op. 61 Four part-songs for mixed choir a cappella (1953)
• Op. 70 Lebenskreise (Life Cycles). Symphonic cantata to poems by Hölderlin and Goethe, for 4 soloists, mixed choir and orchestra (1955)
• Four British folk-songs arr. for mixed choir (SATB) a cappella (English/German)

Vokalna dela - ženski hor

• Op. 1 Von ewiger Freude (Of Eternal Joy) cantata for four female voices and double female choir, with organ and two harps (1912)
• Op. 2 Vom Bäumlein, das andere Blätter hat gewollt (The Tree that Wanted Different Leaves) (Friedrich Rückert) for alto solo, six-part female choir and small orchestra (1916)
• Op. 5 Phantasien (Fantasies): three songs to poems by Rabindranath Tagore for alto solo, female choir, clarinet, horn, harp (piano) and string quartet (string orchestra) (1919)
• Op. 12 Three Songs for 3- and 4-part women's choir with Piano (1910–13)
• Op. 25 Herbstlieder (Autumn Songs) five songs for 4-part women's choir (SSAA) a cappella (1918–25)
• Op. 31 Three Songs to poems by R.M.Rilke for three female voices or 3-part women's choir with piano (1928)
• Op. 47 Summer Idylls (Stille Lieder) four songs for women's choir a cappella (1935)
• Op. 75 Jugendlieder (Songs of Youth) five songs for female voices a cappella (1959)
• Op. 76 A Clarion Call for double female choir a cappella (1959)
• Op. 77 Of a Summer Day lyrical suite for 3-part female choir with (mezzo)soprano solo and string orchestra (1951)

Vokalna dela - muški hor

• Op. 11 Three Songs for 3- and 4-part Male-Voice Choir with piano (or small orchestra) (1910–11)
• Op. 34 Drei Porträtstudien (Three Portrait Studies). (Wilhelm Busch). For 4-part male voice choir with piano (1929)
• Op. 40 Three Idylls (Wilhelm Busch). For 4-part male-voice choir (TTBB) with piano (1934)
• Op. 44 Nachtmusik (Night Music). (Grimmelshausen). For soprano solo, male voices (TTBB), flute, cello and piano (1933)
• Op. 63 Two songs for 4-part male-voice choir a cappella (1954)
• Op. 72 Satirikon four aphorisms for 4 male voices (TTBB) a cappella (1937–58)
• Op. 91 Spätlese six songs for male-voice choir (TTBB) a cappella (1966/67)
• Drei deutsche Volkslieder (Three German folksongs) arr. for male-voice choir (TTBB) a cappella

Instrumenti sa dirkama

• Op. 3 Serbische Weisen (Serbian Dances) for piano duet (4 hands) (1916)
• Op. 7 Drei Skizzen (Three sketches) for piano (1910–11)
• Op. 24 Suite for piano (1922)
• Op. 28 Sonata for piano (1927)
• Op. 29 Toccata for organ (1928)
• Op. 43 Concertino for piano and string orchestra (1934)
• Op. 55 Concertino for organ and string orchestra (1948)
• Op. 57 Concerto for piano and orchestra (1948)
• Op. 58 Two Sonatinas for piano (1951, 1949)
• Op. 64 Three Small Pieces for piano (1933)
• Op. 65 Three Preludes for piano (1944)
• Op. 74 Drei Marionetten (Three Marionettes)
• Op. 83 Twenty-four Preludes for piano (1960)
• Op. 108 Twenty-four Fugues for piano (1979–80)
• A Pastoral Tune for piano (6 hands) (1953–54)
• Kleine Suite (Little Suite) for harpsichord or piano (1962)
• Phantasia, Arioso and Capriccio for organ
• Prelude and Fugue in A-flat for organ
• Three Impromptus for two pianos (1940)

Diktafon

• Op. 68a Suite for recorder and violin (1954–5)
• Op. 68b Six two-part inventions for descant and treble recorder (1957)
• Op. 68c Divertimento for 2 treble recorders and guitar (1957)
• Op. 78 Quartettino for recorder quartet: 2 descant, treble (or tenor), tenor (or bass) (1960)
• Op. 82 Concertino for treble recorder/flute and string quartet (string orchestra or piano) (1961)
• Op. 88 Trio-Serenade for treble recorder/flute, violin and cello (1966)
• Op. 98 Divertimento for 3 recorders (descant, treble and tenor) (1970)
• Op. 103 Three Intermezzi for treble recorder/flute and harpsichord or piano (1974)
• Op. 110a Four Bagatelles for treble recorder solo (1983)
• Intrata Giocosa for descant, treble and tenor recorders, two violins and cello (double bass ad lib) (1958

Mandolina

• Op. 56a Partita for mandolin and piano (1935)
• Op. 59a Sonatina for 2 mandolins (1952)
• Op. 59b Suite for 3 mandolins (1952)
• Op. 60 Improvisation, Variations and Finale on a theme by Mozart For mandolin, violin, viola and liuto (1934)
• Op. 66 Biedermeiertänze (Biedermeier Dances). Four pieces in 3/4 time for large mandolin orchestra (1954)
• Op. 80 Divertimento for mandolin and harp (1967)
• Op. 81 Sinfonietta No. 1 for mandolin orchestra, guitar & bass (1961)
• Op. 86 Sinfonietta No. 2 (E minor) for mandolin orchestra. (1966)
• Capriccio for mandolin orchestra (1973)
• Lyrical Suite for soprano solo, flute and string quartet (flute, mandolin and string trio) to Browning's Pippa Passes (1934)

Snimci

Od ranih 2000-ih, Galova muzika je počela da se snima u značajnim razmerama. Snimci snimljeni tokom ovog perioda uključuju set od četiri simfonije na etiketi Avie, pod dirigentima Kenet Vuds i Tomas Zehetmajr, kao i snimke koncerata i kamerne muzike.

Odabrani snimci

• 24 Preludes for Piano op. 83, Aladár Rácz, Pan Classics PC510141, 2001
• Chamber Music for Clarinet (Clarinet Quintet op. 107, Trio for Violin, Clarinet and Piano, op. 97, Serenade for Clarinet, Violin and Cello, Op. 93), Shelley Levy, Ensemble Burletta, Toccata TOCC0377, 2016
• Chamber Music, Volume Three (Piano Quartet in B flat major, Op. 13, Three Sonatinas for violin and piano, Op. 71, Sonatina in F major) Cressida Nash, Katalin Kertész, Nichola Blakey, Sarah Beth Briggs, Toccata TOCC0433, 2018
• Complete Piano Duos Anthony Goldstone and Caroline Clemmow (Three marionettes Op. 74, Serbische Weisen Op. 3, Concertino Op. 43, Three Impromptus, A Pastoral Tune) Divine Art DDA25098, 2012
• Complete String Quartets (Quartet No.1 in F minor Op. 16, Quartet No. 4 Op. 99, Quartet no. 2 op 35, Quartet no. 3 op. 95, 5 Intermezzi op. 10, Improvisation, Variations and Finale on a theme by Mozart Op. 60b) Edinburgh Quartet, Meridian Records CDE 84530/1, 2005/2007
• Complete Works for Solo Piano; Leon McCawley (Three Sketches op. 7, Suite op. 24, Sonata op. 28, Two Sonatinas op. 58, Three Small Pieces op. 64, Three Preludes op.65, Twenty-four Preludes op. 83, Twenty-four Fugues op. 108) Avie AV2064, 2005
• Hans Gál & Edward Elgar: Cello Concertos (Gál: Cello Concerto, op.67; Elgar: Cello Concerto) Antonio Meneses, cello; Northern Sinfonia/Claudio Cruz; Avie AV2237, 2012
• Hans Gál & Franz Schubert: Kindred Spirits (Gál: Symphony No.1, op.30; Schubert: Symphony No.6 in C) Northern Sinfonia / Thomas Zehetmair; Avie AV2224, 2011
• Hans Gál & Franz Schubert: Kindred Spirits (Gál: Symphony No.2, op.53; Schubert: Symphony No. 9 (The Great)) Northern Sinfonia / Thomas Zehetmair; Avie AV2225, 2011
• Hans Gál & Hans Krása: Complete String Trios Ensemble Epomeo (Gál: Serenade Op.41 for violin, viola and cello; Gál:Trio in F sharp minor Op.104 for violin, viola and cello; Krása: Tanec (Dance) for violin, viola and cello; Krása: Passacaglia and Fuga for violin, viola and cello), Avie AV2259, 2012
• Hans Gál & Robert Schumann (Gál: Symphony No.1, op.30; Schumann: Symphony No.3) Orchestra of the Swan/Kenneth Woods; Avie AV2233, 2014
• Hans Gál & Robert Schumann (Gál: Symphony No.2, op.53; Schumann: Symphony No.3 Rhenish) Orchestra of the Swan/Kenneth Woods; Avie AV2232, 2013
• Hans Gál & Robert Schumann (Gál: Symphony No.3, op.62; Schumann: Symphony No.3 Rhenish) Orchestra of the Swan/Kenneth Woods; Avie AV2230, 2011
• Hans Gál & Robert Schumann (Gál: Symphony No.4, op.105 (Sinfonia concertante); Schumann: Symphony No.2, op.61) Orchestra of the Swan/Kenneth Woods; Avie AV2231, 2012
• Hans Gál & Wolfgang Amadeus Mozart (Gál Concerto for Piano and Orchestra Op.57; Mozart Piano Concerto no.22 in E flat K482) Sarah Beth Briggs (piano) Royal Northern Sinfonia/Kenneth Woods; Avie AV2358, 2016
• Hans Gal, Josef Kaminski and Leonard Bernstein: Works for Violin and Orchestra. (includes Gal's Concertino for violin and string orchestra, op.52). Erez Ofer (violin) Rundfunk-Sinfonieorchester Berlin/ Frank Beerman. Hanssler Classics HC19020, 2019.
• Modern Times (Songs by Franz Schreker, Hans Gál, Berthold Goldschmidt, Hanns Eisler, Erich Korngold, Alexander von Zemlinsky and Wilhelm Grosz) includes Gál Five Songs (op. 33); Christian Immler (baritone), Helmut Deutsch (piano); C-Avi-Music 8553229, 2011
• Music for Cello (Sonata for Solo Cello op. 109a; Suite for Solo Cello op. 109b; Sonata for Cello and Piano op. 89) Alfia Nakipbekova (cello), Jakob Fichert (piano); Toccata Classics TOCC0043, 2012
• Music for Viola (Suite Concertante for Viola and Orchestra, Op. 102a, Divertimento for Violin and Viola, Op. 90, No. 3, Sonata for Viola and Piano, Op. 101, Trio for Oboe, Violin and Viola, Op. 94,Hanna Pakkala, Ostrobothnian Chamber Orchestra, Toccata TOCC0535, 2019
• Orgelwerke/Organ Works (Concertino for organ op. 55, Toccata op. 29, 2 Sacred Songs op. 21, Prelude & Fugue, Phantasia Arioso & Capriccioso) István Mátyás (organ), Adrineh Simonian (soprano), David Pennetzdorfer (cello), Orchester Wiener Akadenie/Martin Haselböck; Membran NCA 60162, 2007
• Piano Trios (Piano Trio in E Major, op. 18; Variations on a Heurigen Melody, Op.9; Piano Trio in G Major, op. 49b) Doris Adam (piano), Karin Adam (violin), Christoph Stradner (cello); Camerata (Japan) CMCD-28149, 2008
• The Right Tempo (Three Intermezzos for Flute and Piano, op. 103; Sonata for Two Violins and Piano, op. 96, Three Sketches for Piano, op. 7, Huyton Suite for Flute and Two Violins, op. 92) Ulrike Anton (flute), Russell Ryan (piano), Cornelia Löscher (violin), Wolfhart Schuster (violin); Gramola (Vienna) 98896, 2010
• Through the Centuries (includes Gál's Divertimento for Violin and Viola op.90 no.3) Annette-Barbara Vogel (violin), Daniel Sweaney (viola) Blue Green Recording BGR269, 2013
• Violin Concerto, Violin Concertino, Triptych for Orchestra (Gál: Concerto for violin & small orchestra, op.39; Gál: Triptych: Three movements for orchestra, op. 100; Gál: Concertino for violin and string orchestra, op. 52) Annette-Barbara Vogel (violin), Northern Sinfonia/Kenneth Woods; Avie AV2146, 2010
• Violin Concerto & Violin Sonatas (Concerto for violin and small orchestra, op. 39, Sonata for Violin and Piano, op.17, Sonata for Violin and Piano in D (1933)) Thomas Albertus Irnberger (violin), Evgeni Sinaiski (piano); Israel Chamber Orchestra/Roberto Paternostro; Gramola (Vienna) 98921, 2011
• Works for Violin and Piano (Sonata in B flat minor, Op.17 (1920); Suite in G major Op.56 (1942); Sonata in D, op. posth. (1933)) Annette-Barbara Vogel (violin), Juhani Lagerspetz (piano); Avie AV2182, 2010

Литература

• Cobbett, Walter Willson. Cobbett's Cyclopedic Survey of Chamber Music, London: Oxford University Press. With a preface by W. H. Hadow. 1963 2nd edition.
• Peacock, Alan Turner (1997). Public Choice Analysis in Historical Perspective. стр. 201. ISBN 978-0-521-59976-4. .
• Sadie, Stanley, ed. The New Grove Dictionary of Music & Musicians. London: Macmillan 1980. ISBN 0-333-23111-2.
• Schmidtgen, O.: 'Hans Gál'. In Österreichische Musikzeitschrift pp. 1–2, 1957.
• Fox-Gál, E. & Fox, A.: 'Hans Gál'. In Music & Musicians, August, 1985, pp. 12–13
• Musikalische Dokumentation: Hans Gál. Musiksammlung der Österreichischen Nationalbibliothek. Institut für Österreichische Musikdokumentation, 1987.
• Schönzeler H.-H.: 'Hans Gál. The man and his music'. In Music and Musicians International, January 1988, pp. 22–23.
• Moncrieff, Margaret: 'Hans Gal (1890–1987). A personal tribute and memoir'. In The British Music Society News, 97, March 2003, pp. 369–74.
• Haas, Michael and Patka, Marcus G.: Musik des Aufbruchs: Hans Gál und Egon Wellesz. Continental Britons. Mandelbaum Verlag, Vienna 2004. Exhibition at the Jewish Museum, Vienna, 25 Feb-2 May 2004. ISBN 3-85476-116-3.
• Waldstein, W.: Hans Gál. Eine Studie. Wien: Elisabeth Lafite (Österreichischer Bundesverlag), 1965.
• Kumpl. Erika Martha: Die Mandolinenwerke von Hans Gál (The mandolin works of Hans Gál). Master's dissertation, University of Vienna, 2007.
• Marcus, Richard C. A Comparative Analysis of the First and Second Symphonies of Émigré Composer Hans Gál (1890–1987). Doctoral Dissertation, University of South Carolina, 2012.
• Eva Fox-Gál und Anthony Fox: Hans Gál. Ein Jahrhundert Musik. Berlin: Hentrich & Hentrich, 2012.

Spoljašnje veze

Mediji vezani za članak Hans Gal na Vikimedijinoj ostavi

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